This article by Alan Woods was originally written in 1989 to commemorate 200 years of the Great French Revolution, with a new introduction by the author. Alan Woods explains the internal dynamics of the revolution and above all the role played by the masses.

In this in depth article Alan Woods looks at the specific historical role of Napoleon Bonaparte. He looks into the characteristics of this man that fitted the needs of the reactionary bourgeoisie as it attempted to consolidate its grip on French society and sweep to one side the most revolutionary elements who had played a key role in guaranteeing the victory of the revolution.

This article by Alan Woods looks at how the French Revolution affected British poets. It struck Britain like a thunderbolt affecting all layers of society and this was reflected in its artists and writers.

Wolfgang Amadeus Mozart is considered by many as the greatest musician of all time. He was revolutionary in more senses than one. One of his main achievements was in the field of opera. Before Mozart, opera was seen as an art form exclusively for the upper classes. This was true not only of those who went to see it, but also of its dramatis personae - the characters who were shown on the stage, and especially the protagonists. With The Marriage of Figaro (Le Nozze di Figaro in its original Italian title), all this changes. This is the story of a servant who stands up to his boss and outwits his master.

Despite his confused politics, Lenin had a great respect for the Russian anarchist Kropotkin, particularly as the author of the book about the Great French Revolution. He pointed out that Kropotkin had been the first to look at the French Revolution through the eyes of a researcher, to focus the attention on the plebeian masses, and to continually underline the role and meaning of the craftsmen, the workers and other representatives of the working people during the French Revolution.

Josh Holroyd reviews Nelson at Naples by Jonathan North, which exposes the atrocities committed by Horatio Nelson during his part in crushing the Neapolitan Revolution of 1799. The tragic events North describes, which reveal the unbridled barbarism of a reactionary old order fighting for its life, are rich with lessons for revolutionaries today.

The Battle of Waterloo - 200 years ago, on 18th June 1815 - was the last great event that marked the end of that great historical process that was begun in 1789 by the Great French Revolution. With the defeat of Napoleon, the last flickering embers of the fires lit by revolutionary France were extinguished. A long, grey period settled down on Europe like a thick coat of suffocating dust. The forces of triumphant reaction seemed firmly in the saddle.

Today is the 200th anniversary of the battle that is associated with the name of one man, Horatio Nelson. He was considered a national hero, both in his own lifetime and in the Victorian period following his death. But should the working class celebrate the life of this man? We will examine his exploits and show them in a light that is not exactly what the present patriotic hullabaloo is designed to do.

This work represents Marx's analysis of Napoleon III's coup d'etat of December 1851, which provides him with an opportunity for a meticulous examination of the ebb and flow of political forces and social classes in the period preceding Napoleon's seizure of power. Marx digs beneath the surfaces of political rhetoric and the manoeuvring for power by political personalities, and reveals the social forces and mechanisms at work during the political crisis. Its value, then, is as a class analysis of a political crisis.

"This work was Marx's first attempt, with the aid of his materialist conception, to explain a section of contemporary history from the given economic situation. Here the question was to demonstrate the inner causal connection in the course of a development which extended over some years, a development as critical, for the whole of Europe, as it was typical; that is, in accordance with the conception of the author, to trace political events back to the effects of what are, in the last resort, economic causes." (introduction by Engels)