In the three articles that Luis Oviedo has written in answer to my article published on January 7 (Marxism versus Sectarianism - Reply to Luis Oviedo) a number of very important issues are raised. These questions deserve the most careful consideration by Marxists in Britain, Argentina and internationally. However, in order to clarify the issues raised and to educate the cadres (which ought to be the aim of every polemic) it is necessary to avoid heated language, distortions and personal attacks that only serve to divert attention away from the political questions. Such an approach will only confuse matters

We are publishing a speech made by Alan Woods in January. The main emphasis was on the extreme volatility of the present epoch. The state of the whole world system has reached a point where even small events can unleash massive movements. This has been clearly demonstrated by Spain in the last few days with rapid changes and swings in the mood of the masses taking place literally within a few hours.

Someone has said that one of the criteria for winning the Turner Prize is not to be understood. The philosophy behind this is: the less I am understood, the better the art. Yet the kind of art that wins the Turner competition also has merit. They have the merit of holding up a mirror to the society that produced them, and saying: “This is what you are, and this is all you are capable of producing.” These works point out to us that beneath the sleek, comfortable bourgeois surface of modern society, horrors are lurking: dead vermin, murder, death and decay.

Goya was one of the greatest artists of all time. His paintings are a priceless document of the history of the Spanish people. He painted the world in which he lived, and he painted it in terms of uncompromising realism. His entire outlook was shaped by great historical events - the French revolution, the Napoleonic wars, the ferocious struggle for national independence and the movement for liberal reform that followed it, a movement that was brutally crushed by the forces of darkness, obscurantism and reaction. This article is part of an important new series by Alan Woods called Art and revolution.

I recently visited Mexico at the invitation of Esteban Volkov, Trotsky's grandson, to participate in the filming of a documentary about the life and death of the great Russian revolutionary. The documentary, by the Argentine-Mexican director, Adolfo Videla, was filmed in the house in Coyoacan where Leon Trotsky lived for the last few years of his life, together with his faithful companion and comrade, Natalia Sedova. The documentary draws on rich archive material and includes valuable contributions by people like the French Trotskist historian Pierre Broue. It is due to be shown on Mexican television in the autumn.

In the present epoch, the bourgeoisie is no longer capable of advancing human civilization, but the decay of the capitalist system threatens to poison every aspect of social life. The most heartbreaking example of the way in which capitalism is destroying the cultural heritage of mankind is what has just happened in Iraq.

Fifty years ago today the world heard the news of the death of Stalin. For decades the Stalinist propaganda machine had assiduously encouraged the myth of Stalin as "the Lenin of today", who was supposed to have led the Bolshevik Party together with Lenin. But all this was merely a construction to justify the usurpation of power by a tyrant who destroyed Lenin's party, liquidated the political conquests of October and wrecked the Communist International.

The connection between Italian Futurism and fascism is well known. Alan Woods looks at the psychology of the Italian bourgeois and petit bourgeois intellectuals in the period before and during the First World War that gave rise to this singular phenomenon. It is an object lesson on how art and politics can become inextricably linked, and how this mixture arises from a definite social and class basis.

There are periods in history that represent a fundamental change in the whole world situation. We are now living in just such a period. Just over ten years have passed since the fall of the Soviet Union - ten years that seem to be a hundred years! For in that very short space of time the world has lived through a fundamental transformation.

This article by Alan Woods deals with barbarism and the development of human society. In post-modern writing, history appears as an essentially meaningless and inexplicable series of random events or accidents. It is governed by no laws that we can comprehend. A variation on this theme is the idea, now very popular in some academic circles that there is no such thing as higher and lower forms of social development and culture. This denial of progress in history is characteristic of the psychology of the bourgeoisie in the phase of capitalist decline.

Afghanistan is full of surprises. And what surprise could be bigger than the lightening advance of the Northern Alliance over the last seven days? In less than a week, Taliban forces have been swept from most of northern Afghanistan, including the key cities of Mazar-e-Sharif, Herat, Kunduz, Taloqan, Bamiyan, Jalalabad and the capital Kabul. The question is: How did a force that only two months ago controlled most of Afghanistan get swept from the battlefield so quickly, and is the battle over?

We publish here the transcript of a speech by Alan Woods on the subject of the relationship between Art and the Class Struggle. The speech was given at a Marxist Summer School in Barcelona (Spain), in July 2001.

We have received quite a few e-mails from our subscribers asking about the attitude of Marxists to religion, relating not only to Marxism and Christianity, but also to Islam. For example, we have received several communications from sympathetic people who support liberation theology, in the Philippines. We are also in contact with groups who describe themselves as Islamic Marxists. This is clearly an interesting and important question, which deserves serious treatment. As an initial contribution, we are publishing an article by Alan Woods which is actually based on his replies to such letters.

For Marxists, the root cause of all forms of oppression consists in the division of society into classes. But oppression can take many forms. Alongside class oppression we find the oppression of one nation over another, racial oppression, and the oppression of women.

With the election results counted, analysed and digested, it is now possible to deliver a final verdict on the British general election of June 2001.